Every woodcut starts outdoors with a field journal. The drawing becomes a block, carved by hand. The block is printed on a 1984 Takach etching press in Missoula, and each print is painted individually, so no two are quite the same.
Learn about the process
Protecting habitat for grizzly bears.
Twelve woodcuts, one for each of twelve bedrooms.
Place-based art and teaching in Connecticut.








New prints, fairs and the next calendar. A few emails a year.